She passed out of the door that opened toward the village and met a great acrid gust. She heard a far-off windy roar which, in her dismay, she took for that of flames a mile away, and which, the first instant, acted upon her as a wild solicitation. "I must go there." She had scarcely spoken before the same omen had changed into an appalling check. Fleda stayed her hand. "No, no—I'm superstitious."!

The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!

"Well, those things are between yourselves, and you seem to me both poor creatures at best." Mrs. Gereth spoke with a rich humor which tipped with light for an instant a real conviction. "I don't know what you've got in your veins: you absurdly exaggerated the difficulties. But enough is as good as a feast, and when once I get you abroad together—!" She checked herself as if from excess of meaning; what might happen when she should get them abroad together was to be gathered only from the way she slowly rubbed her hands. Invited by her companion, who had asked if it weren't wonderful, Mrs. Gereth had begun to say a word about Poynton; but she heard a sound of voices that made her stop short. The next moment she rose to her feet, and Fleda could see that her alarm was by no means quenched. Behind the place where they had been sitting the ground dropped with a certain steepness, forming a long grassy bank, up which Owen Gereth and Mona Brigstock, dressed for church but making a familiar joke of it, were in the act of scrambling and helping each other. When they had reached the even ground Fleda was able to read the meaning of the exclamation in which Mrs. Gereth had expressed her reserves on the subject of Miss Brigstock's personality. Miss Brigstock had been laughing and even romping, but the circumstance hadn't contributed the ghost of an expression to her countenance. Tall, straight and fair, long-limbed and strangely festooned, she stood there without a look in her eye or any perceptible intention of any sort in any other feature. She belonged to the type in which speech is an unaided emission of sound and the secret of being is impenetrably and incorruptibly kept. Her expression would probably have been beautiful if she had had one, but whatever she communicated she communicated, in a manner best known to herself, without signs. This was not the case with Owen Gereth, who had plenty of them, and all very simple and immediate. Robust and artless, eminently natural, yet perfectly correct, he looked pointlessly active and pleasantly dull. Like his mother and like Fleda Vetch, but not for the same reason, this young pair had come out to take a turn before church. "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.